Soft, Nostalgic Film Look With Rich Tones, And Natural Color
Film Pack
+ Film Preset
+ 5 Modifiers
+ 2 B&W Presets
+ Instructions for download
+ Tips for using presets
This preset pack consists of one main base preset, and then 5 modifiers that will help create the best outcome for all different lighting scenariors. There are also two black and white presets to complete the pack.
Built for consistency
Every preset is designed to work together so your galleries feel cohesive from start to finish.
True-to-life color
No heavy filters or tones. Clean, natural color that reflects the moment as it felt.
Works in real lighting
From harsh midday sun to indoor receptions, these presets are built to adapt.
A refined, timeless finish
Your images will feel polished and elevated—without looking over-edited.
Base Preset
This is the base preset that you will apply to your image. Lots of time this is all you will need and then you can apply minor adjustments like exposure, highlights, blocks etc...
Warmth Modifier
After you've added your base preset, this Warmth Modifier is if you're image is on the cooler side and need some warmth all around in the shadows and midtones.
Cool Modifier
When you have an image that is very orange to begin with or very hot lighting, you can add this cool modifier to bring that all down.
Skin Modifier
When you need a to adjust the skin tones, this gives the skin tones a brighter softer look!
Contrast Modifier
If your image is backlit, or it just needs that extra punch, this Contrast Modifier will give your image the much needed blacks and contrast a boost.
Green Modifier
Film photos can often give a green hue, so this green modifier will give that slight green tone.
B&W
This is a great Black and White Preset for making a beautiful soft black and white, or giving it that film look.
B&W Contrast
This is the base Black and White preset that has a added pop in contrast.
Here is a preview of what it's like to use the Film Preset Pack. I've tried to include lots of different lighting scenarios for you to get an idea of how they work. Everything was shot on auto white balance with a Canon 5D mark IV.